1718-1793
Related Paintings of Alexandre Roslin :. | Joseph Marie Vien | Portrait of Sophia Magdalena of Denmark | Portrait of Count Chernyshev | Portrait of Charles-Nicolas Cochin | Princess Trubetskaya | Related Artists:
c. a. dahlstromCarl Petter Dahlström, född ca 1705, död 4 mars 1794, var en svensk möbelsnickare. Dahlström gesällvandrade 1745?C1755 i Nordeuropa och Frankrike, där han i Paris kom i lära hos den tidens främste ebenist Jean-François Oeben. Hos denne lärde sig Dahlström faneringstekniken marqueterie ?? fleurs eller blomsterintarsia, som var en metod för att möta rokokons krav på fanering av dubbelvälvda kroppar. Mycket tack vare rekommendationer av C.J. Cronstedt blev Dahlström efter hemkomsten till Sverige utnämnd till kunglig ebenist den 19 november 1756. Han finns representerad på Nationalmuseum med en byrå som han tillverkade tillsammans med Lorentz Nordin. Dahlström överlämnade 1769 sina privilegier till Niclas Palmgren och ägnade sig därefter åt restaurangverksamhet.
COUWENBERGH, Christiaen van Dutch painter, Delft school (b. 1604, Delft, d.
1667, Cologne).
Girolamo Nerli1860-1926,was an Italian painter who worked and travelled in Australia and New Zealand in the late 19th century influencing Charles Conder and Frances Hodgkins and helping to move Australian and New Zealand art in new directions. His portrait of Robert Louis Stevenson in the Scottish National Portrait Gallery Edinburgh, is usually considered the most searching portrayal of the writer. Born in Siena in Italy to an Italian aristocrat, Ferdinando Pieri Nerli, his full name was Girolamo Pieri Pecci Ballati Nerli. The fourth of six children he was not a 'Marchese' as he was sometimes styled, or a 'Count', but a 'patrizio di Siena', a minor distinction marking the great antiquity of his family. His father married Henrietta Medwin, an Englishwoman. Her father Thomas Medwin was a minor literary figure in Byron's circle, the author of Journal of the Conversations of Lord Byron and of The Life of Percy Bysshe Shelley; Medwin was a distant relation of Shelley. Girolamo studied art in Florence under Antonio Ciseri and Giovanni Muzzioli and was a younger member of the Italian Macchiaioli school, the 'patch painters', an Italian movement anticipating French Impressionism. He went to Australia in 1885 spending time in Melbourne and Sydney where he was an associate of Tom Roberts and Arthur Streeton and an influence on Charles Conder at the time of the Heidelberg School. Nerli's role in that movement has been disputed but his presence and influence are undeniable. was an Italian painter who worked and travelled in Australia and New Zealand in the late 19th century influencing Charles Conder and Frances Hodgkins and helping to move Australian and New Zealand art in new directions. His portrait of Robert Louis Stevenson in the Scottish National Portrait Gallery Edinburgh, is usually considered the most searching portrayal of the writer. Born in Siena in Italy to an Italian aristocrat, Ferdinando Pieri Nerli, his full name was Girolamo Pieri Pecci Ballati Nerli. The fourth of six children he was not a 'Marchese' as he was sometimes styled, or a 'Count', but a 'patrizio di Siena', a minor distinction marking the great antiquity of his family. His father married Henrietta Medwin, an Englishwoman. Her father Thomas Medwin was a minor literary figure in Byron's circle, the author of Journal of the Conversations of Lord Byron and of The Life of Percy Bysshe Shelley; Medwin was a distant relation of Shelley. Girolamo studied art in Florence under Antonio Ciseri and Giovanni Muzzioli and was a younger member of the Italian Macchiaioli school, the 'patch painters', an Italian movement anticipating French Impressionism. He went to Australia in 1885 spending time in Melbourne and Sydney where he was an associate of Tom Roberts and Arthur Streeton and an influence on Charles Conder at the time of the Heidelberg School. Nerli's role in that movement has been disputed but his presence and influence are undeniable.